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crossref-it.info - AS/A2 English Literature Study Guides - texts in context.

 

Bronte, Charlotte » Charlotte Bronte's adulthood and publication

1832-42: at home and away

After Charlotte’s return from Roe Head School aged sixteen, she taught her sisters what she had learned there, re-joining them and Branwell in the development of the Angria and Gondal writing. Rev. Brontë had recovered his health and the children were happily occupied. The sisters concentrated on their writing, while Branwell began to reveal a genuine talent for painting and drawing and learned to paint in oils.

Earning a living

Photo by John P Coates available through Creative CommonsBy 1835, Charlotte, Branwell and Emily began to think about earning their living. In that year, Charlotte returned to Roe Hill as a teacher, accompanied by Emily as a pupil. But Emily found it hard to be away from Haworth and was soon replaced by Anne, who was a very successful student at the school. Branwell was hoping to become a student at the Royal Academy in London, but never managed to get there, diverted by his increasing dependence on alcohol.

Career opportunities

The next few years saw the four siblings away from home for longer or shorter periods:

1842-44: Brussels

By 1841, Charlotte was planning to set up a school with her sisters, and it was decided that Charlotte and Emily should improve their French. They went to work at the Pensionnat Heger in Brussels, but their stay there was interrupted by the death of Aunt Branwell. When Charlotte returned to Brussels in 1843, Emily remained in Haworth.

Charlotte enjoyed being in Brussels and her work at the school. It is likely that she fell in love with M. Heger, the school’s proprietor and headmaster, but it is unlikely that they had any kind of relationship.

Charlotte returned to Haworth in 1844. However, although the sisters issued a prospectus for their school, no pupils were recruited and the plan was abandoned.

1845-48: Literary success

Meanwhile, all three sisters were writing novels:

The mystery of authorship

There was a great deal of speculation as to the identities of the authors of these new novels, and when the second edition of Jane Eyre appeared with a dedication to W. M. Thackeray, author of Vanity Fair (1848) it was suggested that Currer Bell was the pseudonym of one of Thackeray’s discarded mistresses. It was also suggested that there was only one author, responsible for all the poetry and fiction published by the Bells. To put an end to such speculation, Charlotte and Anne travelled to London and made themselves known to George Smith, Charlotte’s publisher.

1848-49: Charlotte alone

No sooner had the sisters made their dramatic entry into the London literary world than there began a terrible period in the life of the family: